After the previous rather long video covering the ANZ Horse Ratings and Analyser and how it can be used to improve selections and profitability, this week I am working through a few tutorials on how to set up the Analyser spreadsheet and import data, either to analyse large amounts of previous races or specific types of races, and also how to look ahead at a day’s races and get a listing of the horses which meet your criteria.
Part 1 – Sanitising and importing data
Part 2 – targeting specific days and tracks (with Pebbles’ squeaky ball in the background)
Part 3 – Getting selections before the day’s races begin
For eleven years, John Kerr hosted New Day Australia on weeknights on a number of stations across Australia, headquartered at Sydney’s 2UE. For much of that time he used a very fitting song to end his broadcasts, with lyrics noting that “we’ve talked the whole night through”. It was the song Good Mornin’ from Singin’ In The Rain.
Later, when John hosted the weekend version of New Day Australia, he occasionally used the song to end the show, however for a lot of his weekend reign his show ended on 2UE earlier than it ended on the network so there wasn’t really an appropriate time to play the song. John moved to the Gold Coast while still hosting the weekend edition of New Day Australia and 2UE graciously paid for flights and accommodation in Sydney so he could continue to host the show, however eventually John retired from commercial radio. Thankfully John didn’t give up radio altogether and these days hosts an excellent country music show on Friday nights on Gold Coast community radio station 94.1FM.
Sean Hannity tends to have very very long openers for his show, combining clips of multiple songs with clips of various politicians and newsmakers. Unfortunately with the lengthy commercials breaks it does eat into the useful program time in each hour, but I digress.
For a few years around 2009, Sean used the chorus of Martina McBride’s Independence Day as one of the bits of music in his opener. It is a very powerful piece of music. I wish he still used it to this day, but alas.
A quick note of thanks to all of you who chipped in to help out Frankster in his hour of need.
A few months back I posted information about Frankster’s difficulties in finding suitable accommodation after a series of personal tragedies. It has taken a lot of time, much support from a number of people including kind readers of this blog who donated to help out, and a lot of patience and effort from Frank himself, but I am pleased to say that in the last week, Frank has been able to return from exile in temporary accommodation in Katoomba and now has a small place to call his own back in the heart of Sydney’s inner-west, near his medical team and probably more importantly, within a reasonable distance of employment which has recently come his way.
It was my pleasure, albeit at short notice and on very little sleep, to make a trip up to Sydney last week to assist Frank in making the move. Even the pouring rain making it almost impossible to see on my way both there and back wasn’t enough to deter me from helping Frank with this important milestone.
Many thanks to all of you who helped and those who offered advice as well. I know Frank is extremely grateful to everyone as well.
In this video I demonstrate how the power of stats and form can be used to improve the selection criteria and the profits in automated betting on horse racing.
The video ended up being a bit longer than I anticipated, and there’s still more to cover in a future video or two, so to help you navigate it, chapters have been added accordingly.
00:00 Introduction
01:49 Recent results
05:13 Configuring stats filters in ANZ Horse Bot
06:24 The stats the bot is using
07:20 The stats engine: ANZ Horse Ratings
11:35 Using the ANZ Ratings Analyser to hone strategies
19:20 Configuring the best performing strategy in the Analyser and Bot
20:20 Building and testing new strategies in the Analyser
25:22 Exploring results in the analyser
27:20 Some high-priced winners from Saturday
28:24 How the bot used the stats to find the winner of Belmont race 4
31:10 Using the analyser to check your strategies are performing as they should
33:38 The settings for the 2nd best strategy
36:01 The first winner for the day pays $8.40
36:51 Summary
Back when Jim Ball was the overnight host on Sydney’s 2GB, he used Paul Kelly’s “Sydney From A 747” as his theme song, at least until circumstances changed.
When Macquarie Radio made an arrangement with Pacific Star to turn Melbourne’s 3MP 1377 in to Melbourne Talk Radio MTR 1377, Jim’s show was networked into Melbourne and it became inappropriate for Sydney From A 747 to continue to be used for the show. Instead, he opted to use Peggy Lee’s “It’s A Good Day” which had previously been used as his closing theme.
There was a period of time where Jim moved to 2UE (where he was again syndicated) and then moved back to 2GB. My recollection of this is hazy but I think the Peggy Lee song continued to be his theme music during this time.
For the majority of Rush Limbaugh’s 30+ years on the air, th instrumental portions of this song greeted the airwaves at six past the hour, three times per day, five days per week. It became as much an icon of the American media landscape as Rush himself. There was a clever edit at about the 30 second mark to jump to another instrumental section around the 2:28 mark which was Rush’s cue to begin talking.
Rush picked this song as his theme song primarily due to its strong unique bass line, but the irony of a conservative using a very anti-conservative song wasn’t lost on him. There’s a funny loophole in the way royalties work in American radio that using a short clip of a song doesn’t necessarily result in a requirement to pay royalties for its use, so Limbaugh, albeit playing 40-ish seconds of the song across hundreds of radio stations, used the song royalty-free for many years. Eventually EMI issued a cease-and-desist order and Limabugh temporarily stopped using the song. However the song’s writer Chrissie Hynde was interviewed and stated her parents loved Limbaugh’s show and she didn’t mind her music being used in that way. It also helped that around that time, Rush was vocally opposing a plan by the EPA to test chemicals on animals, putting him in rare agreement with PETA which was one of Chrissie Hynde’s favourite organisations, so a payment arrangement was reached and Rush used the song forever more.
After Rush’s passing, the theme song continued to be used during the guest hosts which filled his timeslot and for about a year by Travis Clay and Buck Sexton whose show Premiere Radio moved into Rush’s old timeslot. They now use a different piece of music.
40-odd seconds of intro music might seem like an awful lot, but for whatever reason it has been the standard in syndicated talk radio in the US for a long time. My theory is that as they generally run on a 40 second delay, allowing them to dump a short portion of the delay if necessary without coming out of delay completely, having the long intro allows the show’s producers to be entirely sure they are in delay when the broadcast begins. It also allows affiliate stations to be a little bit late getting into the show without missing anything, and run their own idents over the intro. One of the best examples of this is from this clip from KXNT Las Vegas in 2009 (April 27, to be precise) where the board operator did a masterful job of crossfading the weather bed with Rush’s into under newsreader Kristen Flowers and putting a hybrid station ID / Rush show announcement to air over the intro before Rush began to speak.
Wrapping up the series on finding value by hedging and dutching greyhounds in Hedge Dog Bot, Samuel looks at the results of the various methods tested in recent weeks and highlights the ones which show the most potential for profit.